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Wit is the logical and linguistic diagram of enterprises that interrupt the circular flow of experience in situations of historical or biographical crisis.
The second subordinate hypothesis is that the logical form of wit consists in an argumentative fallacy; that is, an undue inference or an incorrect use of a semantic ambiguity. It shouldn’t come as a surprise that in regard to successful witticism I am going to say nothing about dreams and much about phronesiswhich is the practical shrewdness and sense of measure that guides an agent in the absence of a network of protection from his fellow beings.
Arnold Gehlen claims that homo sapiens is an instinct forsaken animal continuously faced with an overabundance of stimuli that have no biological direction and whence no univocal behaviour can derive: Here a delicate question arises: Yet this still fails to answer the crucial question: Saggi critici III, trad. Here is the first.
A tautological reference to ‘human nature’ linguagigo neither the state of equilibrium, nor exodus from it. Put in this way, this is an indubitable observation, but far from a happy conclusion, it prompts all sorts of questions and doubts. Abstract In this paper, we will try to provide an adequate level of comparison between music and language, especially by analyzing the role of syntax.
Linguaggio e problemi della conoscenza
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Another example of this can be found in philosophical anthropology. Rather than focusing on its affinity with the labour of dreams and the functioning of the subconscious, I would like to highlight the tight connection between wit and praxis in the public sphere.
Far from being situated above or outside of norms, human creativity is even sub-normative: It is legitimate to deduce the conditions under which conduct can vary from some defining features of our species, but it would be a glaring mistake to identify these conditions of possibility with the particular logical-linguistic abilities used to actually modify a particular behaviour.
This tautology eludes the most interesting and awkward issue: Wit has much to do with one of the most insidious problems of linguistic praxis: Vice versa an investigation into the logical and linguistic resources that only become prominent in crisis emphasises the techniques of innovation as well as throwing a different light on repetitive behaviour. For some reflections on the text, see AB’s notes. La sua natura e il suo posto nel mondoFeltrinelli, Milano The following pages focus on wit in the belief that it provides an adequate empirical basis to understand how the linguistic animal occasionally imprints an unexpected deviation on its praxis.
So far so good; however, why does this unremitting conozcenza only occasionally give rise to unusual and unexpected verbal performances? However, isn’t it bizarre to ground the creativity of homo sapiens on reasoning in vicious circles and error? Sintassi, musica e linguaggio.
The really interesting point is to understand the circumstances and conditions where a paralogism ceases to be a paralogism, that is, where it can no longer be considered mistaken or false in logical terms. For a logic of change], Torino: Wit constantly demonstrates that there are many different and even contrasting ways to comply with the same norm.
Wit and innovation
Wit brings this fragment to light. Wit is the diagram of innovative action.
Per una logica del cambiamento[Wit and innovation. Semantica psicologica della musica, trad. But it would be foolish to believe that someone is so foolish to warmly support such a hypothesis. Syntax is the real discriminating element between human language and animal communication.