Guillaume Du Fay. Opera Omnia 01/ Ave Regina caelorum 3. Edited by Alejandro Enrique Planchart. Marisol Press. Santa Barbara, Guillaume Du Fay. Opera Omnia 01/ Ave regina caelorum 1. Edited by Alejandro Enrique Planchart. Marisol Press. Santa Barbara, Ave regina caelorum. composer. Guillaume Dufay (c). mids. author of text. Anonymous – liturgical. Antiphon to the Blessed Virgin Mary, from the.

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The motet Ave regina caelorum is among the most beloved works in Dufay ‘s oeuvre, and historically a favorite among the rich body of fifteenth century polyphony. Share on facebook twitter tumblr. AllMusic relies heavily on JavaScript.

Die innigste Anrufung der Jungfrau dieser CD ist die letzte: Genre Choral Classical Vocal Music. To be sure, its use of the tenor cantus firmus holds the entire polyphonic structure together and lends the motet its overall shape.

Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. It is almost as if Dufay is consciously appealing to the prayers—and sensibilities—of a future age, one which, like presumably his own, could not fail to miss the poignancy of his utterance.

Submitted by Emily Ezust [ Administrator ] Authorship by Bible or other Sacred Texts”Ave regina coelorum”, the Marian Antiphon [ author’s text not yet checked against a primary source ].

Ave regina caelorum – Hyperion Records – CDs, MP3 and Lossless downloads

Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Vale, valde decora Et pro nobis sancte Christi exora. Don’t show me this message again. Still, as Dufay and his contemporaries became more adept at the new genre of the four-voice, cyclical cantus firmus mass, their attention was occupied less by the sheer constructional demands of cantus firmus integration and focused more on the genre’s expressive possibilities.


In excelsis ne damnemur Miserere nobis et iuva Ut in mortis hora nostra Sint corda decora. Ave regina caelorum composer. Be influential, thou most graceful, and always plead with Christ for us. The Brightest Heaven of Invention. ENG List of language codes. Miserere supplicanti Dufay Sitque in conspectus tuo Mors eius speciosa.

Miserere genitrix Domini Ut pateat porta caeli debili. The Ave regina caelorum, which is usually given the Roman numeral designation “III” to distinguish it reina two earlier motets on the same antiphon, was composed sometime beforethe year in which it was copied into a manuscript at Cambrai.

June Deletion date: Streams Videos All Posts. Ave regina caelorum Ave domina angelorum Miserere tui labentis Dufay Ne peccatorum ruat in ignem fervorum.

Gentle Reminder This website began in as a personal project, and I have been working on it full-time without a salary since La performance aura lieu le jour suivant. Its popularity perhaps derives from its position near the juncture between the architectonic approach to form inherited from the isorhythmic motet of de Vitry and Machaut in the fourteenth century and the more flowing and expressive contours that would characterize vocal music of the mature Renaissance.

Have mercy, begetter of the Lord, that the gate of heaven may stand open to the weak. Latin Ave regina coelorum, Ave domina angelorum, Miserere tui labentis Dufay, ne peccatorum ruat in ignem fervorum. Your gift is greatly appreciated.

The Binchois Consort cqelorum, Andrew Kirkman conductor. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

This website began in as a personal project, and I have been working on it full-time without a salary since Perhaps the most distinctive aspects of the piece, however, are the personalized interpolations with which Dufay tropes the antiphon text. Introspection Late Night Partying. Gaude gloriosa, super omnes speciosa, Miserere, miserere supplicanti Cawlorum sitque in conspectu tuo mors eius speciosa.


Ave Regina caelorum (Guillaume Dufay) – ChoralWiki

Go to the text. Please enable JavaScript in your browser to use the site fully. Even more startling than the personal tropes, added to the standard words of the Marian antiphon, is the nature of their musical settings. Hail holy root from rregina came light for the world. In fact, at the beginning of the dufwy, before the tenor even enters with the cantus firmus, the three other voices take turns “foreshadowing” the antiphon melody; thus, when the tenor finally appears, the cantus firmus does not seem like a sturdy structural pillar so much as the natural outgrowth of a series of imitative entries.

Ave Regina caelorum (Guillaume Dufay)

Jazz Latin New Age. Drinking Hanging Out In Love. Lest we may be damned on high, have mercy on us and aid us, that in the hour of our death our hearts may be beautiful. As exemplified in the work under consideration, this trend toward greater expressivity became more pronounced in the so-called “tenor motet,” which was not obligated to meet the same liturgical demands as the mass.

Salve radix sancta Ex qua mundo lux est orta. Salve radix sancta, ex qua mundo lux est orta, Miserere, miserere genetrix domini ut pateat porta coeli debili. Rainy Day Relaxation Road Trip. It is illegal to copy and distribute our copyright-protected material without permission.


Rejoice, glorious virgin, beautiful above all others. In both interpolations, which are punctuated by unexpected shifts to C minor, Dufay makes the devotional tone of the motet a deeply personal one: Have mercy on your supplicating Dufay, that in your sight his death may be ace.

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