Arturo Sandoval is by all accounts one of the great trumpet players of all time. He is unique in that his “giant ears” captures it all – the nuances, the technique, the. Pro Sound News. Arturo Sandoval’s Trumpet Evolution Heads to Latin Grammys Author: Roger Maycock. Arturo Sandoval has evolved into one of the world’s. The Very Best of Arturo Sandoval. Dear Diz (Every Day I Think of You). A Time For Love. Hot House. Ultimate Duets. Swingin’.
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Rainy Day Relaxation Road Trip. Throughout the entire project, we recorded Arturo with a Royer R, which we positioned anywhere from one to three feet from the bell of the horn. Previous Article reviews Xmarsx: Jazz Latin New Age. Among the various tracks on the album, Arturo recorded the Shorty Rogers tune Maynard Ferguson, where he was playing as high as G above double C.
Arturo Sandoval: Trumpet Evolution – JazzTimes
Self-produced by Sandoval, the album features 19 tracks encompassing a mix of small ensemble, big band, and orchestral performances. Sexy Trippy All Moods. Because he is such a powerful player, he can move so much air through the horn that he distorts most microphones. First Movement Giuseppe Tartini. Next Article reviews Aaron Neville: Sandoval has compiled a collection of tunes by composers and fellow horn players, from King Oliver to Wynton Marsalisperformed by a big band and, when needed, an orchestra, too.
Because he can, I suppose. Trumpet Evolution, released in May on the Crescent Moon label, is considered by many to be the finest moment of Sandoval’s long career and one of the greatest jazz records produced in years.
Concerto in D Major: Jones, Hey, and Grant—all accomplished trumpeters—noted this particular sandovxl was very difficult to play, which makes Arturo’s brilliant playing on Manteca even more admirable. And while the album is self-produced as well, Quincy Jones acted as an executive producer and no doubt wrote some charts. Great Saxophone Trio Albums. Coloratura Concerto for Soprano: Then, there is the matter of homage; according to his liner notes, Sandoval genuinely admires his models.
Stream artturo buy on: Arturo Sandoval has evolved into one of the world’s most acknowledged guardians of jazz trumpet and flugelhorn, as well as a renowned classical artist. Joy Spring Clifford Brown.
In the booklet, either the musician paid tribute to or a relative or associate offering quotes, of course, praise Sandoval ‘s work. Gary, Jerry, and everyone else involved with this album gave their all, and it shows. At the Jazz Band Ball. Romantic Evening Sex All Themes.
The emotional sonances of these tunes ring as true as if Sandoval wrote them himself. Sandoval reproduces the notes, sound values and, for the most part, spirit of players as stylistically and temperamentally varied as Roy Eldridge and Chet Baker, Bix Beiderbecke and Maynard Ferguson, Fats Navarro and Harry James.
La Virgen de la Macarena Antonio Calero.
Concerto for Cootie Duke Ellington. And that word is not overused. The Man With a Horn. His contribution is noteworthy as well for its depth and warmth overall.
Indeed what appears in the ear of the listener seems to be the creation of the impossible. Dipper Mouth Blues King Oliver. It isn’t just playing tunes by these men — whose tracks are sequenced in order of birthdate of the source of inspiration — it’s the mastery of their techniques; and given that there are 19 subjects here, that’s a hell of a lot of mastery.
One is that the superb recording quality discloses ensemble detail muddied by primitive technology in some of the early originals, notably the Oliver and the Beiderbecke. Up Jumped Spring Freddie Hubbard.
This is a record so fine, so full of passion, grace, and elegance it simply needs to be heard to be believed. Few trumpeters could handle it. I wanted the most natural sound possible, and that meant a straight a path into the recorder.
Top 50 Albums of JazzTimes Another is that Sandoval fans who buy this CD may be motivated sanroval go back and discover the men who inspired their inheritor. The drums were set up in an isolation booth for separation. Schmitt used a variety of microphones on the kit, including a Royer SF stereo ribbon microphone for overheads.
Not a Hollywood Square Jazz in Focus: